Set the ‘Audio From’ to the desired synth (in this case, Analog). Decide what carrier source you wish to use. Make a duplicate of the vocal track you wish to ‘synthesize’ then locate Ableton’s vocoder and apply it directly onto the duplicate track. I have also found turning off the pre delay usually sounds best with this effect. Adjust the settings so it has a reasonably short ‘tail’ and ‘decay’ time (a ‘room’ reverb conventionally works best). This option is essentially the same as the first one, except you insert a reverb plugin before the pitch shifter as opposed to a pitch/formant shifting plugin applied to the dry vocal. Play around with the settings, choose a desired one, and then automate the ‘sends’ level. Open up a pitch AND formant shifting plugin on an available ‘aux send’, then route your main vocal at 100%.
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